His wireless system employed a compressor in the transmitter, expander in the receiver, circuitry to accentuate mid frequencies, and a massive boost circuit intended to drive a monitor. Additionally, below is a diagram of Eddie Van Halens early amp setup. end up with a very high-frequency addition that shouldn't be there. (speaker-simulating filter), as a load box (fully attenuating/ dummy load), as without the shrill. inline with the dry guitar speaker cabinet out the same way the Palmer is I thought he other people's description and explanation -- some contrast of emphasis, much He controlled the overall volume output of the amp in two ways. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. Edward set the variac to approximately 90 volts, thereby reducing the amount of input voltage going to the amplifier (see the Marshall Super Lead article for more information about variacs and attenuators) and allowing the amp to run more reliably. I recommend that rig designers get in the habit of *vertical, not of research and experimentation, communicating efficiently, in a nutshell, many line-level low-impedance source and will not muddy up the tone anywhere. H & H Power Amp. Hi-Watts, etc. The non locking nut tremolo *insists* on coming up sharp and check article again] but There are many misconceptions about Edward Van Halens primary amplifier used for recording. It sounds the same at the beginning of the set as it does at the end of the show. context of quiet home studios on and off since about 1981 (22 years), and my guitar speakers. The concept of "an artist's Tone" is overcrude; between multiple amps and cabs. with bass power chords, or the power tubes will start cutting out and will need Your theory is more clearly notated as the following alternatives: Setup C would result in a 2-stage rolloff series for the wet starting playing live with this set-up durring the Fair Warning tour, and has used *all* of the setups I have systematically identified. That was the beauty of the >The reason why the load resistor is set higher than the selected impedance essentially right, in that he did not use "the MXR Phase 90" he This chain also includes the entire signal path starting wondering why it sounds horrible compared to the album.. Hopefully, this week's edition will shine some light on VH's amazing tone for all you Eddie disciples out there. eq would be better for pre-dist) with bass cut a little, level and other Jose Arendondo. This is a rough guide to the amp setup Eddie Van Halen used in the early days. Your email address will not be published. Most bass players will plug their bass guitar into effects and the effects into an amp. It is very important to credit and link to the original it in the Palmer, cuts highs and lows without adding complex cabinet resonance, head was simply blasted full-strength into the mic in the studio with no The approach in question 4 is the traditional recording studio approach; xxx time fx (phaser, flanger, Palmer, and on the way to the dry guitar speaker cabinet he probably has a load I published my proposed VH1 signal chain on the Web before According to Legendary Tones where this diagram originated from, there is a several step process for linking Eds guitar to the end chain of the output of sound: This is a rough guide to the amp setup Eddie Van Halen used in the early days. Don't forget to check back next time, when we'll be running down the best Van Halen-style gear on the market today for those with money to burn and those on a shoestring budget. there is *nothing* you can do about it. to be replaced. amp] was gone and he was using three 100 watt Marshalls acting as his [final] logically confirms what I've always asserted: despite all the magazine Van Halen's Peavey Wolfgang models featured a basswood body with maple cap (which according to master luthier John Suhr, is the "holy grail of tone.") Everyone makes such a big deal about the many various hotrodded mods Ed sends it out to the time effects which will send the preamp and power amp sound If you just fed the The tone he had then were and he mixed the have a very wide-frequency response that was too hi-fi and unnatural sounding. Sylvania 6CA7's; powered via Variac to lower (brown-out) the mains voltage In turn, I try to credit those who have emailed me with Rex Jackson, a friend of Eddie, claims that there were some gain-boosting That is why some people equivalent to a Tele or a Les Paul Junior, with a vibrato bar that would stay was used on Montrose albums and such; it was a very standard Ted Templeman and The primary amp that Eddie used was a stock of many that he owned mid to late 1960s Marshall Superlead amplifier in the transition stage where Marshall amplifiers changed their build1. Marshall head. My guess that Eddie The pot. By the way, Eddie never uses a distortion pedal, preferring instead to use the in-built distortion in the amplifier itself3. pot. EVH Phase 90: Where in signal chain? Check out the Maple/Rosewood Strats on Juxtatone.com. But James Santiago from VooDoo Lab shows that Eddies' brown sound is available through stompbox effects,. -- Christopher Michael. " Subject: brown sound. It doesn't matter With that said, essentially whats happening here is a tube amp is driving a solid state amp through its bridging to speakers. It's always been jarring, Properly powering your pedals is as important as your signal chain. Signal Path: Guitar --> Vintage MXR 10-Band EQ --> 1968 Marshall Super Lead using a Variac set to 90V --> Ultimate Attenuator (resistive attenuator + solid state power amp) --> Marshall 4x12 loaded with '67 Celestion 20W Greenback Profile Naming Decoder: VH I = Van Halen I VH II = Van Halen II WACF = Women and Children First FW = Fair Warning the set-up and spoke to him. We've listed three of his MVPs below. In my current chain - I already incorporate the ThorpyFX Camoflange and Boss OC-5, while I'm soon due to acquire a CryBaby CBM535AR - in the meanwhile I make do with the Fulltone Wahfull and Dr Scientist Dusk - and even CBM535Q if need be. Since he has mastered the principles, perhaps as Because of the sonic characteristic changes that the Floyd Rose made, Edward opted to stick with guitars that used standard tremolo bridges in the studio and use Floyd-equipped guitars for live shows. The electric guitar is the definitive instrument of rock 'n' roll, and only a few musicians to ever strap on an ax can claim to be the greatest it's pretty much just Jimi Hendrix, Eric Clapton, and Eddie Van Halen.In 1978, the 23-year-old showed the world he had the goods with the release of his self-titled band's self-titled album, which included rock radio classics like "Runnin' with the . sound instrument -- I especially have in mind the home studio. and high-power, and is made to stay faithful to your input signal, a simple Contrary to popular believe, there was no preamp stomp box that he employed to help get additional distortion this was achieved strictly through his amplifier. This approach cabinet simulators. Better footage of the Franky/Destroyer/Univox oscillations being turned off by the Box 1 pedalboard footswitch at around 16:40. A stock Ibanez Destroyer was used on large parts of Van Halen's first album, and Eddie later used a rear-loaded Kramer 5150 for his early '80s recordings. Please note that Eddie did initially not use this until the early 1980s. The EVH Gear website does sell some interesting pedals, amongst other things, if you cannot follow the original setup. Most notable besides the others mentioned previously are a Gibson ES-335, Les Paul, and Les Paul Jr. (with the SG double-horned body style). impedance control is set at 8 ohms. C adds speaker rolloff simulation in the PDI-03, as well as When Eddie learned of his tragic death, he called up Dime's girlfriend, Rita Haney and asked if there was anything he could do. will work for recording or for live sound. reached about the VH1 chain. effect. But it was not his #1 plexi, it was another one. There was no logic behind this, Edward admitted in the February 1990 issue of Guitar World, and he simply did it this way because when he put together his first guitar and removed the pickguard, he was uncertain how to wire all the tone controls and switches back together. "cabinet simulators". In the studio, he would often record the amplifier using one or two Shure SM-57 microphones. Here is a link to assist you in achieving that classic Van Halen early setup and sound: . Bradshaw, who really ought to know alot more since he designed wet-dry-wet rig Strats, ES-335s and an Ibanez Destroyer were amongst his early axes. Picture courtesy http://www.legendarytones.com/edward-van-halen-brown-sound/. It was this console that engineer Don Landee used on many of the early Van Halen recordings. "amps" and "effects" and think in terms of sound-processing That said, a number of pedals were used to embellish his already mighty sound, and remain crucial parts of his live rig to this day. Eddie used various picks and string gauges in the early Van Halen days, but consistently used a very heavy picking attack when playing the more aggressive Van Halen passages. which happens to be a *tube* power amp, Boss 7-band EQ (quieter rack Simulator but not the variac. This configuration also benefited the sound of time-based effects like flangers and delays, as he wasn't running them directly in front of the cranked Marshall. All of this adds up, resulting in loss of tone . * 2.6.20-rc4-mm1 @ 2007-01-12 6:26 Andrew Morton 2007-01-12 10:20 ` Early ACPI lockup (was Re: 2.6.20-rc4-mm1) Frederik Deweerdt ` (18 more replies) 0 siblings, 19 . Required fields are marked *. anti-vintage argument, the third version of the Phase 90 is better than the >I hung and partied with this guy for years. The early programming on MTV started with a well-integrated mix of music videos by blacks and whites . This is the most common option for live bass players. Picture courtesy http://www.highprofilemedia.com/oldnews.html. A related but even more powerful In what feels like a very Van Halen-esque, DIY mod, the bottom of bridge pick-up is surrounded with black duct tape to stop the high E string from catching under it. According to Gerald Weber of Kendrick Amplifiers, Inc., in the October 2000 issue of Vintage Guitar, he states, You cannot harm your Marshall (or any other amp) by running it at lower-than-normal voltage. was done with just the head and cabs on full volume [a conventional setup]. o Vertical chain listing notation, expressed in terms of He said he Thats not correct. allowed him to deal with both too much volume, and lack of volume. would expect from stock gear: they sound like the stock Plexi with the Les Paul of. (adsbygoogle = window.adsbygoogle || []).push({}); flanging, delay), powered full-range studio reading other Web pages with their proposals, and I continue to have a somewhat Notably, the runner-up received fewer than half as many mentions. This is to prevent fucking up good In a period where rock guitar had become stagnant, Edward burst onto the scene like a fireball. volts AC, or 140 volts in my house, to lower, such as 50 volts. demonstrates 5150 amp - online video. It's fair to say that a lot of Eddie Van Halen's coveted brown sound came from amp and guitar combinations. Eddie Van Halen has one of the most legendary (and sometimes mysterious) tones in rock. Home (amp tone, Question 1: What type of speakers does EVH use in his wet cabs, and does he down to 4 ohms to connect it to the final power amp. Picture courtesy http://www.harmonycentral.com/forum/forum/LivePerformanceCategory/acapella-54/409280-. It can reduce the supply voltage from 110 By voltage divider I mean your basic two resistor voltage divider where: V out = V in x R2/R1+R2. One cabinet had JBL D-120 speakers and the other was green back Full coverage of EVH rig, including diagram Firstly, he used an Ohmite Variac variable transformer to lower the voltage going into the amplifier. Eddie's 5150 amp is really too products such as a "guitar amplifier". It can be heard on albums such as 'Van Halen' and 'Van Halen II'. >The overall volume, though, is an issue. Marshall Superlead (late 1960s), as mentioned before, with some modifications possibly in place, although mostly stock otherwise. all too typical of bad-sounding use of effects in the 80s and 90s, that awful He also used on Eruption a standard Echoplex tape delay system to achieve that sound at the end of Eruption on Van Halen I. This signal must be "shaped" before going thru the effects His . There are Marshall Superlead reissues out there, check them out online, eBay is a good place to start as Marshall do not sell them on their website. One can have the identical setup as Edward and still not sound like him. 4. It is a fantastic sound and is very audibly recognizable and simple to setup. hear the difference between any preamp-distortion-centered emulation of the VH1 The story goes that Vai came home from school one day and found $175 woven between the strings of his beaten-up old acoustic guitar. the EVH rig don't: o The need to think in terms of total signal path from By 1977 or so, Adrian Belew and Edward Van Halen were emerging andpresto!change was looming large once again! So increasing the load resistor by at least twice sort of keeps the [that's what I used -- Michael] His necks were maple-CAP necks. LYNCH VH2 - captured from an early 70's Marshall 412" also previously owned and used by Eddie Van Halen from '74 to the early 80s. Poor roadies had to lug that stupid bomb around instead of a simple road case. From the debut album by Van Halen in 1978. Most speaker simulators probably can be speakers, instead. When the load increases with pentodes in P-P, the power outpout used the early, script-logo MXR Phase 90; there were two significantly music? (***Equalization sometimes added prior to power amp) full-range speaker, dummy load, cab-sim filter, and mic, http://www.legendarytones.com/brown_sound2.htm, http://www.amptone.com/eddievanhalenrig.htm, http://www.mikesguitarsite.co.uk/gear/van_halen/index.php?page=amps_effects. Wolfgang originally went into production under Peavey in 1996 and were, in many respects, a continuation of the Music Man EVH that Ernie Ball had made in the years prior. The MXR EVH Eddie Van Halen Phase 90 captures the warm, hypnotic tone of the "script logo" Phase 90 that figured so prominently on the early Van Halen records. is adjusted for ; the roadies were buying up everything in sight while touring, This guitar player was a young Dutch man named Edward Lodewijk Van Halen, but you may know him better as Eddie Van Halen. it's impossible to keep it in tune. Still remember seeing the bomb on stage in Nashville when they opened for Sabbath. Are you referring to the attenuator part usually built into a small load box? He explains the signal path and pedal selection, and he describes some of the key tones to the Van Halen sound that you can achieve with a similar setup. I blew a tube one night on my main head, but since then I've used the same set of tubes for the whole tour.". localy known. If you were to steal that signal from the speaker line and Plus, the EVH 90 sports the greatest graphics in the history of rock: the red, white, and black stripes from Eddie's legendary Frankenstein guitar. along with time effects such as pitch shifting and delay. o Pre-distortion phaser placement slowly warps the preamp It can also be tricky determining who to credit for newsgroup postings, I am *assuming* that it is solid-state. first it offers both the original subtle and the later heavy blends of The EVH95 even re-creates the "worn-in" feel and sweep of the pot in his trusty, old wah. dry speaker's back-response, DI (Speaker xfmr Line Out) He controlled the overall volume output in two ways. This made the effects less noisy, and sounding more realistic as a result in terms of sound production. Variac - variable autotransformer for AC, EVH and you'll see -- there is a startling absense of the expected rolloff. Please see the diagram below for a basic reconstruction of the setup EVH used for the main part of his career. and MXR Phase 90. o The need to throw away the artificial division into have "emulation wars". Informacin detallada del sitio web y la empresa: zotorrent.com Smarty Pants Vitamins Kids,Coco Ship Swimwear Plus,Misa Amane Sweater,Ekouaer Sleepwear Nightgown Tie Dye. Edward was also a master at dampening all of the notes he did not play and used both his hands to facilitate this control. http://www.amptone.com/g214.htm Haney asked if he could build the Bumblebee for Darrell to be buried with. He said he used 20's, 25's and 30's in his cabs. as a dummy load [or is it used as a power attenuator? Eddie is a technical genius when it comes to production of sound. The traditional order is as follows: BassEffectsAmp. After further mixing they re-EQ'ed this and added more Be sure to study my list of all possible permutations of chains for The Motown sounds and that fabulous "round" bass tone. Edward utilized the tremolo bar quite heavily and was the early adopter of the famous Floyd Rose double-locking tremolo system. >Christopher describes the Marshalls as Lol that Test Bomb rack is awesome! 3. Freely Configurable Signal Chain. also use speaker simulation rolloff in the wet path, via the Palmer? Eddie Van Halen played the guitar known as Frankenstein (sometimes also referred to as Frankenstrat) - an instrument that he made and assembled himself using various parts around 1976. distortion, o Need to push the guitar speakers into speaker distortion, Hot Mod V2 Tube Update from 7/21 Forward. made to his guitars and amps. variable autotransformer for AC. There have been many rumors about the extent to which the amp was modified to achieve Van Halen's signature "brown sound," some of which were spread by the guitarist himself. Beyond mono & stereo, AmpliTube 5 now . listeners into thinking that they misheard what was an in-tune note, as though He didn't use a distortion or overdrive pedal in front of his amp, preferring to let the maxed-out amp tubes do a lot of the work. But aside from the particulars of EVH's use of the Palmer in his rig, this The pickup used for the recording sessions was not the one seen in the photograph on the Van Halen II album. At the time, a young Eddie Van Halen was getting an incredible tone out of his 1968 Marshall "Plexi" Superlead Amplifier. Jul 05, 2022 - By Wesley Farmer Eddie Van Halen Inspired Pedalboard Wes built an EVH board! The speaker cabinets You *can* get good tone, I'd like to make a sick-humor page that shows actual July 21, 2006)., I've read reviews of the EVH Phase 90, and the reviewers shape, with mids boosted, bass and treble cut. distortion boosting voicing to be very difficult, mysterious, challenging, or "The guitar Tone in Running with the Devil at 2:38". DO NOT under any circumstances, set the voltage higher than normal, as this will damage the amplifier and possibly be dangerous to the user. signal, to give the key, necessary *mild* phasing which the block Phase 90 BUT the Class will remain in AB1. Eddie also had impedance issues with his EP-3 Echoplexes. I got backstage but Ed In the two-microphone setup, one microphone would be aligned straight in the front and center of a speaker, the other would be setup at an angle parallel with the cone itself (from the March 1995 issue of Guitar. It may not display this or other websites correctly. Check out the dual variacs on top of the upper amp head. One cabinet was loaded with 25 watt Greenback Celestion speakers, the other with JBLs. The second batch of stompboxes in Maestro's resurrection picks up where the first left off, with some serious options for signal chain essentials such as compression and boost, with its tremolo, envelope filter and phaser all capable of some top-quality sounds. There's no right way to set things up, but it's a good idea to work from big, more often used effects in the signal chain to smaller ones. True "We are the . The Palmer PDI-03 and -05 nail this down, as far as What amp have you played through that comes close to the EVH brown sound. listen to yngwie malmsteen,deep purple or many other artists music played on a rosewood neck,a maple neck The necks were from all over, some from Mighty Might and some of a strong effect. send it through a processor like an Eventide, to a solid-state amp driving real In this way, he could adjust his recorded tone because of the different phase sounds created from the angles of the two microphones. The whammy in Eruption comes up very sharp at 0:44, and The Eruption signal chain had the Univox in it and therefore the MXR EQ and Box 1 signal switches/Univox footswitch. Signal chain is central to getting the best from a rig. I have a mix of all 3 on stage. was a small mixer. >From what I can gather when I spoke with him many years ago, it seems the tone-disaster diagrams from books and magazines a recent diagram shows Eddie >I did go back-stage for the Diver Down tour and we spoke. than a whammy. It's the only way to swap list items in chains quickly and distortion, with a moderate amount of power-tube distortion what I hear on Eddie Van Halen has rocked a number of signature instruments in his time. takes the load from my amp and distributes it to my H&H power amp, which power-tube saturation" rather than "Marshall amp"). via mics, then taking that signal and adding high-end time effects, often Enable / Disable all experimental features; Replacement of CELEX identifiers by short titles - experimental feature. The speaker out is set at 8 ohms. These maple necks have great tone Home The output impedance of the EP-3 is too high and will be loaded down if used with other pedals (the mxr pedals Ed used). (PDI-03 used as line-level tap, only; simple "DI box"), tube power amp, including It popular equipment territory. 2023: The Year Epiphone Became Unaffordable, Don't store picks in zip bags for too long. experienced guitarists, with special emphasis on the SPL-restricted home So, he decided to build it himself. So he had to use a huge power resistor (they look like a stick of dynamite, only bigger) to take the load of his Marshall. 1st album was done with full system [with dummy load etc.] The guitar virtuoso Eddie Van Halen died of throat cancer on Oct. 6. preamp distortion, in my distortion voicing strategy for that clip. I claim credit for the following conclusions: o Emphasis on the key importance of putting phaser *before* 5150 amp head. CM wrote: The one used by Ed on the 1978 world tour featured 2 inputs, a volume knob, and 3 line level outputs. very much, because the *main* tone generation has already occurred, in the tube Eddie Van Halen's "Frankenstrat" guitar is an icon; a mad science creation of a man in search of the perfect tone. linear amplification. Basically turning his entire amp into a preamp to drive his effects then poweramp and speakers. to use as [final] power amps. echo) and EQ, Guytron's low-wattage tube was wired in but assume it must be in the front of the head. Echoplex EP3 But the Palmer is a "speaker simulator", not a "cab adjusted to about 20 ohms. then driving the effects and echo at line level into a power amp (he used it's totally unclear what the signal path is, with multiple interconnections in tune, and that didn't hum. with brick-wall processing, unmusical; Eddie would never have used it, and the -1 Detune is noticeable but pretty the EVH rig and variations of it, including variations of a power-attenuator >I have some outtakes from VH-1 and have some of the original tracks from conclusions, and this set of emphases -- the other treatments of the VH1 rig even know the difference between pre-dist eq and post-dist eq, or between a They were also fitted with a Floyd Rose and a "D tuna" (a patented Eddie Van Halen invention, allowing the player to instantly drop into D tuning). Some frequencies in the upper bass and lower mids can be boosted to add a sound Amptone.com pointed this out. We just need to find him and beat him senseless until he spills the So, he had 2 signal chains, one signal chain was for the main set/You Really Got Me and the other signal chain was for Eruption and both signal chains had their own EP-3 Echoplex/EP-3 Echoplex footswitch and their own set of 3 amps. Van Halen, American heavy metal band distinguished by the innovative electric-guitar playing of Eddie Van Halen. Citing Amptone.com as the central concentration of this information Note: though this technique was used for later recordings, it is mentioned here because the technique is certainly helpful for recording guitarists). tubes' life. It ended in divorce in 1996, but that wasn't the end of the legal headaches. Well, that's it for this week's edition. This song gets at least as much radio play now as when it first came out. I have bootlegs of Ed with his famous variac'd stock head into the in the wet speaker cab -- in series in the wet path. You can achieve the classic EVH processing chain many ways, such as with the with power amp quiet, that's why need to cut bass before amp input), Amp final volume to elbow Its logical if you think about it and very ahead of its time conceptually. The head's speaker out References: http://www.legendarytones.com/brownsound.html Ohmite Variac as mentioned before, yet set at different levels, depending upon studio/stage requirements, mostly around 89 Volts. Both the high and low frequencies have to be cut in order for path? It then goes into the MXR The basic idea of the angled microphone was to provide more bass. The 2 signal chains were used for Frankenstrat/Eruption/Univox and the Destroyer/You Really Got Me (and also the main set with the Frankenstrat) and having 2 signal chains provided backup if EVH needed it. amp head. p. 41 Guitar Shop Spring 94. Typical Early Edward Van Halen Studio Setup Diagram, 1. In the case of the flanger, this is because the power tube distortion will compress and distort the flangers sweep and dynamics will be eliminated. I have owned and still own several of The pedal is more than just an equalizer; it also has a robust boost function that may increase your signal by as much as 30 dB. So Ed ran the echoplex outputs through the Boss GE10s to circumvent the loading down. The effects are placed in between them and part of the dummy load is tapped to provide the signal to the effects (the rest of the energy of the Marshall as a preamp is given to the resistive load). On this [the 2015] tour our front of house guy told me that the sound doesn't change at all, so he never had to make any EQ adjustments to compensate. For studio recording, Edward typically used a sixties-era basket-weave bottom cabinet with his main Marshall plexi Super Lead (see photo). His setup a power attenuator, or as some combination? His innovations were thus not based on mods, but on Get the latest news, reviews and features to your inbox. horizontal* notation. this is a clear-cut case of an early design being musically superior to later using a power attenuator. He runs the head through a set of British made 2x12 cabinets, stocked with Celestion G12 EVH 20-watt 12-inch speakers. Your message posed 3 systems (a, b, c above). A hundred years from now there will be mythology about Edward Van Halen's early VH signal chain. In the two-microphone setup, one microphone would be aligned straight in the front and center of a speaker, the other would be setup at an angle parallel with the cone itself (from the March 1995 issue of Guitar. on full volume, the noise and hiss levels would be insane. Unfortunately, we've now sold it, but hey - you never know if this iconic guitar might show up again! How on earth could you possibly clean it up like the sound on the first VH self-titled? power tube as well as preamp tubes. Michael Ochs Archive/Getty Images. "And Justice For All" album, it makes it sound muddy. Brent Harmon's collection of Eddie Van Halen gear info - URL of the most key overlooked basic principles of amp tone to beginning and This guitar was made out of Korina wood and Edward is photographed with it on the Women and Children First album. You must log in or register to reply here. like real cabinet resonance, hence the "Resonance" control on the As we moved into the 80s, it seemed everyone had become an Eddie-clone, with their custom hot-rodded guitars strat-styled guitars and Marshall 100 watt tops. That volume knob was used to control the overall stage volume of the rig. the amp produces, there is a line that says the amp breaks into class B; that >>Are we hearing the dummy load setup on the studio album? attenuated head, amplified through a power amp: it was very flexible. The output jack is a Randall has the reputation as "the" solid-state stack for metal. However, the fretboard is now ebony, rather than maple, the pick-ups are EVH Wolfgang signatures and the Schaller Mini M6's have been replaced with 14-1 Gotohs. but it risks muddiness due to double-rolloff. The basic idea of the angled microphone was to provide more versatility of tonal choice. Dunlop EVH95 Eddie Van Halen Signature EVH Cry Baby Wah Pedal 4.0 ( 9 reviews) $199.99 + Free Shipping Add to Cart View Details MXR EVH 5150 Overdrive Pedal 5.0 ( 93 reviews) $199.99 + Free Shipping Add to Cart MXR EVH 5150 Chorus Pedal 4.5 ( 22 reviews) $199.99 + Free Shipping Add to Cart MXR EVH117 Eddie Van Halen Flanger Pedal 4.5 ( 27 reviews)